
Marisa Crawford is the founder of the feminist blog Weird Sister, which highlights writing at the intersections of feminism, literature, and pop culture. This spring the Feminist Press released The Weird Sister Collection, a vital anthology that collects a decade’s worth of writing published on the blog. Contributors include writers such as Morgan Parker, Megan Milks, Virgie Tovar, and Christopher Soto.…
Riot, Grrrls: Marisa Crawford on Why Feminist Lit and 1990s Girl Culture Need More Critical Attention
Feminist Lit and 1990s Girl Culture Need More Critical Attention
Eleanor Whitney in Conversation with the Editor of “The Weird Sister Collection”
from thefreeonline By Eleanor Whitney on April 8, 2024

…In addition to being an editor and essayist, Marisa is a poet and her most recent collection, Diary, came out in the fall of 2023. Both the essays in The Weird Sister Collection and in Marisa’s poetry investigate and celebrate girlhood, nostalgia, and confessional writing. They also challenge traditional notions of what is considered “literature” and who is allowed to make “important art.”
In our conversation, we discussed the origins of the Weird Sister blog and anthology, as well as Marisa’s work as a writer and editor to give the worlds, cultures, and artifacts of women and girls the social, political, and critical attention that they deserve.

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Eleanor Whitney: I think a great place to start is the origin story of Weird Sister. I’m interested in how the Weird Sister website grew out of your poetry practice, and also is underscored by the other work you’ve done in journalism and creative nonfiction. What was the impetus a decade ago that made you feel you needed to start this project?
Marisa Crawford: I had been craving a space like Weird Sister for a long time. I discuss this in the introduction, but when I was a college student, I became a creative writing major. I was super interested in being a poet and was so excited about literature, writing, and poetry. I also started learning about feminism and it gave me a lens for understanding how messed up the world was that I had never had words or a framework for. But they felt super separate.

I loved my first creative writing instructor, but his syllabus had no women writers on it. I didn’t even think about it at the time because it included poets like Frank O’Hara, Allen Ginsburg, and William Carlos Williams and I was excited to learn about all these writers.
In another sphere, I was learning about feminism, intersectionality, and privilege. Obviously, feminist writers existed, but I felt like in the particular literary world I ended up in, the experimental poetry scene, feminism and literature still felt all too separate.

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When I started Weird Sister there were all these literary blogs where people were talking about books, poetry, and pop culture, but I just wasn’t seeing much feminist analysis woven into them. I was reading a lot of feminist books, magazines, and blogs, but I felt like that intersection with literature was missing. I wanted that space to exist and I felt like I had to create it. When I started Weird Sister there were all these literary blogs where people were talking about books, poetry, and pop culture, but I just wasn’t seeing much feminist analysis woven into them.
EW: Very punk of you to create the place you want to see in the world! So, fast forward to the anthology. Weird Sister started a decade ago in 2014 and at the LA launch party a lot of the readers were reflecting on themselves as writers publishing with you a decade ago. So why did it feel vital to anthologize this work and what’s the impact of it coming out now?
Continue reading “Riot, Grrrls: Marisa Crawford remembers great Girl Culture and Feminist Lit – Weird Sister”























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